marina abramovic
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Salustiano is a Spanish painter who lives and works in Seville.
Salustiano graduated from the University of Seville (Spain) and in the early 1990s was inspired by the works of the Renaissance masters. The artist depicts human beings in the classical Renaissance style, but hyper-realistically, on a monochrome background, focusing entirely on the personality and soul. Surrealism adds mystery and mystery, even ambiguity, to the models.
Salustiano's paintings are highly praised by connoisseurs of contemporary art. He has shown his paintings in exhibitions at the Fowler Museum in Los Angeles, the Luma Museum in Chicago, and the Fostella-Malpartida Museum in Caceres. Various prestigious charitable organizations have invited him to collaborate on their projects: The Dalai Lama Foundation with the exhibition "The World Missing", Women Together International with the exhibition "Otras Meninas" and the Cisneros Foundation.
Katharina Fritsch is a German sculptor who lives and works in Düsseldorf, Germany.
She studied at the Düsseldorf Academy of Art and became known for her iconic and unusual sculptures and installations.
Fritsch's work often evokes disturbing religious or quasi-spiritual associations and is deeply psychological, as if she were trying to give an image to our deepest fears, extracted from the world of myth, religion, cultural history and everyday life. One of her most impressive works, Rat King (1993), is a circle of sixteen giant rats, each nearly ten feet tall, with their tails tied in a massive knot in the center.
